The evolution of Max Liebermann’s method and European art of the second half of the 19th century
- Annotation
- Authors
- List of references
The art of Max Liebermann (1847–1935) is characterized by a strong evolution of artistic method and style. Lieberman was interested in the experiments of the 19th century French school as an artist, critic and collector. He was close to the art of the Barbizon school, E. Manet, the Impressionists and PostImpressionists. This process covers the time from the 1870s to the beginning of the 20th century and does not have a clear periodization. The study of Lieberman’s artistic method requires an analysis of the thematic and genre aspects of his work. The subjects of his genre painting make it possible to distinguish between the stages of evolution and to reveal the relationship between various influences and a unique personal concept.
- Омельяненко Мария Валерьевна
- 1. Hancke E. Max Liebermann. Sein Leben und seine Werke. Berlin: B. Cassirer, 1914. 547.
- 2. Liebermann M. Die Phantasie in der Malerei. Schriften und Reden. Frankfurt am Main: S. Fischer Verlag, 1978. 320.
- 3. Liebermann M. Degas. PAN. Berlin, 1898–1899. III–IV, 195.
