Pedagogical features of musical education theatrical performances and festivals of directors
- Annotation
- Authors
- List of references
How to open musicality, to form the musical-producer rumor of student-director in order to give him the possibility to competently form of the musical score of the adapted to stage idea? This small article is not called to solve the complex moments of instruction in the musical formulation of the adapted to stage ideas, but it will make it possible to examine some sore questions in this problem. During the deployment of this theme the author is based on her own pedagogical experience of teaching in Actor s Department of Saint-Petersburg State University and in Department of Theatrical Performances and Holydays Directing of Saint-Petersburg State University of Culture and Arts.
- Телеева Ирина Ивановна
- Каган М. Музыка в мире искусств. СПб.: Ut,1996. С. 56.
- Станиславский К. С. Работа актера над собой. М.: Искусство, 1951. Ч. 2. С. 106-107.
- Творческое наследие В. Э. Мейерхольда. М.: ВТО, 1978. С. 344.
- Нейгауз Г. Г. Размышления, воспоминания, дневники. М., 1983. С. 46.
- Там же. С. 47.
- Там же. С. 56.
- Буров А. Г. Режиссура и педагогика. М.: Совет. Россия, 1987. С. 117.
