научный журнал
вестник Санкт-Петербургского государственного
института культуры
RUS| ENG

Experience in recreating the interiors of the Catherine Palace

  • Annotation
  • Authors
  • List of references

The article considers the evolutionary principle of the restoration from the «heyday» to the «optimal date» using the example of recreating three interiors of the Catherine Palace: Grand, Arabesque and Lyon halls. The relevance of this topic is due to the fact that for many years in the Soviet Union these two concepts were equated with each other. In the modern restoration, under the inf uence of the Venice Charter and the Nara Document of Authenticity, the concept of «optimal date» acquired a new scientif c meaning. The purpose of this work was to analyze the changes that occurred: the meaning that is embedded in the term «optimal date» is updated, examples of scientif c arguments for choosing one or another period are given, the inf uence of the old and new approaches on the architectural monument is studied.

  • Магомедова Ольга Борисовна
  • 1. Zverev V. V. On the interpretation of the basic termsof scientif c restoration. ArtConservation. URL: http://art-con.ru/node/1636 (accessed: Nov. 11.2019) (in Russ.).2. Gaf fullin R. R. Anatoly Mikhailovich Kuchumov.Articles, memories, letters. Saint-Petersburg: Art Palace,2004. 339 (in Russ.).3. Benois A. N. Tsarskoe Selo during the reign ofEmpress Elizabeth Petrovna. Saint-Petersburg: R. Golikeand A. Wilborg, 1910. 262 (in Russ.).4. Kedrinsky A. A. Grand Tsarskoye Selo (Catherine)Palace: from a suburban estate to the main residence,1710–1760. Saint-Petersburg, 2013. 269 (in Russ.).5. The Tsarskoe Selo State Museum and Heritage Site,Accounting Department. Protocol № 14 of the RestorationCouncil of April 13, 2006. 5 (in Russ.).6. The State Hermitage Museum. Russian art andculture. Drawings. Cameron Charles. Arabesque drawingroom in the Catherine Palace of Tsarskoye Selo, longitudinalsection, 1780–1782. OP-10983.7. The State Hermitage Museum. Russian art andculture. Drawings. Cameron Charles. Plafond Arabesqueliving room in the Grand Palace of Tsarskoye Selo, early1780s. OP-11035.8. The State Hermitage Museum. Russian art andculture. Drawings. Cameron Charles. The project of f nishingthe end wall of the arabesque room in the Tsarskoye SeloPalace, beginning. 1780s. OP-10984.9. The Tsarskoe Selo State Museum and Heritage Site, Watercolors – XI. ED-2-XI, KP-9901.10. Bott I. K., Plaude V. F. Palace interpreted as amuseum. Tsarskoe Selo interiors in 1917 autochromes.Saint-Petersburg: Aurora, 2010. 111 (in Russ.).11. Lukomsky G. K. A short catalog of the museum ofthe Catherine Palace. Petrograd, 1918. 96 (in Russ.).12. The State Hermitage Museum. European art.Drawings. Cameron Charles. Lyon Lounge in the GrandPalace of Tsarskoe Selo, early 1780s. OP-11078.13. The State Hermitage Museum. European art.Drawings. Cameron Charles. Lyon living room in the GrandPalace of Tsarskoe Selo. Longitudinal section, early 1780s.OP-10975.14. The State Hermitage Museum. European art.Drawings. Cameron Charles. Tsarskoe Selo Palace, early1780s. OP-11041.15. The State Hermitage Museum. European art.Drawings. Cameron Charles. Project ceiling in the Lyon livingroom of the Grand Palace of Tsarskoe Selo, the beginning ofthe 1780s. OP-11061.16. The Tsarskoe Selo State Museum and Heritage Site,Accounting Department. Protocol № 2 of the Restoration Council of January 21, 2004. 5 (in Russ.).17. The Tsarskoe Selo State Museum and Heritage Site,Watercolors – XI. ED-25-XI, KP-9924.18. Nara document on authenticity. ArtConservation.URL: http://art-con.ru/node/5740 (accessed: Nov. 11.2019)(in Russ.).19. On the St. Petersburg Strategy for the Preservationof Cultural Heritage: decree of the Government of St.Petersburg of November 1, 2005 № 1681. URL: http://docs.cntd.ru/document/8421327 (accessed: Nov. 11.2019)(in Russ.).
Authors: Magomedova Olga Borisovna
Рубрика: Культурология
Pages: 70-74
УДК: УДК 72.025.4[747.012:069(470.23)]
DOI: DOI 10.30725/2619-0303-2019-4-70-74
Keywords: restoration, restoration theory, reconstruction, authenticity, reconstruction, Catherine Palace, palace interiors
График выхода номеров
№1
март

1 декабря - заканчивается прием работ

25 февраля - сдача номера в печать

Выход в свет - март

№2
июнь

1 марта - заканчивается прием работ

25 мая - сдача номера в печать

Выход в свет - июнь

№3
сентябрь

1 июня - заканчивается прием работ

25 августа - сдача номера в печать

Выход в свет - сентябрь

№4
декабрь

1 сентября - заканчивается прием работ

25 ноября - сдача номера в печать

Выход в свет - декабрь