научный журнал
вестник Санкт-Петербургского государственного
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Boris Ryauzov: landscape as a way of knowing the world

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  • List of references

The article is dedicated to the Krasnoyarsk landscape painter Boris Yakovlevich Ryauzov, a full member of the
USSR Academy of arts. The paper analyzes the creative path and the main, most representative works of the master
from the position of developing the figurative content and the philosophical orientation of his search. The artist’s
work is compared with regional artistic traditions. The transformation of landscape concept is analyzed and B. Ya.
Ryauzov’s worldview and creative positions are revealed. Features of work on the landscape to learn and build
the author’s picture of the world are reflected. The concept of «landscape» and the specifics of its visualization in
the art of Siberia were considered. The article uses methods of art criticism and cultural and historical analysis. It
is concluded that a true artist who does not pursue opportunistic (political, economic) or commercial goals and
does not seek popularity, follows the path of knowledge and attracts the viewer in his search, satisfying the innate
human passion for exploring the process of creating and arranging everything that exists and himself.


  • Симанженкова Татьяна Карловна
  • Серикова Татьяна Юрьевна
  • 1. Goethe I. V.; Snezhinskaya G. V. (transl.) Maxims andreflections. Saint-Petersburg: Voskhod, 2014. 189 (in Russ.).2. Bragina L. M. (ed.) et al. Leonardo Da Vinci and theculture of the Renaissance. Moscow: Nauka, 2004. 269 (in Russ.).3. «I love you, earth!»: to the 100th anniversary of thebirth of Boris Yakovlevich Ryauzov, artist-painter, participantof the Great Patriotic War. Archives of the Krasnoyarsk Territory.URL: http://krasnoyarskie-archivy.rf/gosudarstvennyi-arkh/users/articles/742 (accessed: 15.05.2020) (in Russ.).4. Lomanova T. M. Art of Krasnoyarsk. XX century:Painting, graphics, sculpture, decorative and appliedart. Krasnoyarsk: Regional Research and Training Center,2014.187 (in Russ.).5. Uhtomsky A. A. Dominant. Saint-Petersburg: Piter,2002. 448 (in Russ.).6. Bakhtin M. M. Collected works: in 7 voles. Vol. 1.Philosophical aesthetics of the 1920s. Kaluga: Oblizdat, 2003.961 (in Russ.).7. Meneghetti A. Project «Man»: transl. with ital. Moscow:Ontopsikhologiya, 2007. 330 (in Russ.).8. Moskalyuk M. V. (author -comp.). Everything in theheart. Artists of Krasnoyarsk yesterday, today, tomorrow.Krasnoyarsk: Polikor, 2010. 288 (in Russ.).9. Mitasova S. A. Modern Siberian iconography: axiologicaland stylistic foundations. Historical, philosophical, political andlegal Sciences, cultural studies and art criticism. Questions oftheory and practice. 2013. 2–1 (28), 139–141 (in Russ.).10. Moskalyuk M. V. Boris Rjauzov: painting]. Krasnoyarsk:Platina, 1999. 126 (in Russ.).11. Krymov N. P. «What is painting?»: conversation withstudents of the art studio of the All-Union Central Councilof Trade Unions Feb. 5.1939. URL: http://krimov.ru/krimovarticles5.php (accessed: May 15.2020) (in Russ.).12. Rimbaud A. Poems: Illumination; One summer in hell.Saint-Petersburg: Azbuka, 1999. 221 (in Russ.)
Authors: Simanenkova Tatiana Karlovna
Serikova Tatyana Yuryevna
Рубрика: Культурология
Pages: 94-99
УДК: УДК 75.047(092)(571.51)
DOI: DOI 10.30725/2619-0303-2020-3-94-99
Keywords: B. Ya. Ryauzov, Siberia, painting, landscape, picture of the world, knowledge of the world, cocreation
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