научный журнал
вестник Санкт-Петербургского государственного
института культуры
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A descriptive mode in art and the issue of a representation

  • Annotation
  • Authors
  • List of references

The predominant for XX century art studies tradition was seriously reconsidered during the 1970–
1980s during the so called «new art history» development, when many received concepts were called into
question. A notion of descriptiv e mode of painting proposed by an American art historian S. Alpers is of
great interest in this context because it allows us to revise the homogeneous development of European
art. While elaborating the concept of descriptive mode of painting, Alpers took under consideration a wide
range of historical and cultural sources thus contributed to the new research approach nowadays known
under the title of visual culture studies. It is not less important that she also focused on the issue of pictorial
representation, which inquires the essence of the work of art


  • Беззубова Ольга Владимировна
  • 1. Westermann M. Svetlana Alpers. The art ofdescribing: Dutch art in the seventeenth century, 1983.The books that shaped art history: from Gombrich andGreenberg to Alpers and Krauss / ed. R. Shone, J.-P. Stonard.London: Thames & Hudson, 2013. 176–189.2. Alpers S. The mapping impulse in Dutch art. TheWorld of Images. Images of The World: An anthology ofvisual culture studies: a textbook / ed. N. Mazur. SaintPetersburg; Moscow: Novoe izd-vo, 2018. 172–197 (inRuss.).3. Bezzubova O. V. The new art history and visualculture: discussions on theory throughout 1970–1990.Bulletin of Saint-Petersburg State University of IndustrialTechnologies and Design. Ser. 3: Economics, Humanitiesand Social Sciences. 2017. 3, 71–75 (in Russ.).4. Alpers S. The decoration of the Torre de la Parada.Corpus Rubenianum Ludwig Burchard. P. 9. Brussels: ArcadePress, 1971. 532.5. Alpers S., Alpers P. Ut Pictura Noesis? Criticism inliterary studies and art history // New literary history. 1972.3 (3): Literary and art history, 437–458.6. Alpers S. Is art history? Daedalus. 1977. 106 (3), 1–13.7. Alpers S. The art of describing: Dutch art in theseventeenth century / Univ. of Chicago. London: JohnMurray, 1983. 302.8. Gombrich E. Mysteries of Dutch painting. The NewYork review of books. 1983. Nov. 10, 13–17.9. Grafton A., DaCosta Kaufmann Th. Holland withoutHuizinga: Dutch visual culture in the seventeenth century.The journal of interdisciplinary history. 1985. 16 (2), 255–265.10. Burke P. [Rev.: Alpers S. The art of describing:Dutch art in the seventeenth century / Univ. of Chicago.London: John Murray, 1983. 302 p.]. The journal of modernhistory. 1983. 55 (4), 684–686.О. В. Беззубова1711. Gaskell I. [Rev.: Alpers S. The art of describing:Dutch art in the seventeenth century / Univ. of Chicago.London: John Murray, 1983. 302 p.]. Oxford art journal.1984. 7, 57–60.12. Bialostocki J. [Rev.: Alpers S. The art of describing:Dutch art in the seventeenth century / Univ. of Chicago.London: John Murray, 1983. 302 p.]. The art bulletin, 1985.67, 520–526.13. De Jongh E. [Rev.: Alpers S. The art of describing:Dutch art in the seventeenth century / Univ. of Chicago.London: John Murray, 1983. 302 p.]. Simiolus: Netherlandsquarterly for the history of art. 1984. 14 (1), 51–59.14. Panofsky E. Early Netherlandish painting, itsorigins and character. Cambridge: Harvard Univ. Press,1953. 610.15. Alpers S. Describe or Narrate? A problem in realisticrepresentation. New literary history. 1976. 8 (1), 15–41.16. Baxandall M. Painting and experience in fifteenthcentury Italy. A primer in the social history of pictorial style.Oxford; New York: Oxford Univ. Press, 1989. 183.17. Alpers S. Ekphrasis and aesthetic attitudes inVasari’s lives. Journal of the Warburg and CourtauldInstitutes. 1960. 23 (3/4), 190–215.18. Alpers S. Interpretation without representation,or, the viewing of Las Meninas. Representations. 1983.1, 30–42.19. Dubois Y. Les Ménines de Velázquez: l’unitéretrouvée? Art & fact: rev. des historiens de l’art, desarchéologues et des musicologues de l’Univ. de Liège.2008. 27, 105–130.20. Panofsky E. Perspective as symbolic form.Panofsky E. Perspective as symbolic form. Gothicarchitecture and scholasticism. Saint Petersburg: AzbukaKlassika, 2004. 336 (in Russ.).
Authors: Bezzubova Olga Vladimirovna
Рубрика: Культурология
Pages: 11-17
УДК: УДК 75.01
DOI: DOI 10.30725/2619-0303-2020-3-11-17
Keywords: descriptive art, visual culture, theory of art, painting, picture, representation, S. Alpers
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